A thruster you can hear, and a latch on arriving and leaving
Three patches, and the last of the sounds that were asked for. The thruster bangs when it lights and rumbles while it burns. The rumble is this game's first HELD note: its gate goes down when a thruster lights and does not come up until every one is out. Only the edges matter - a rumble restruck every frame would never get past its own attack, and a bang struck every frame is a buzz - and the condition is the flames': a held button with a dry tank is a pilot doing nothing. Arriving latches two notes quickly. Middle C then the C above for taking hold of the station, the same pair reversed for letting go, and two octaves lower for the ground - the same shape in a different register, because setting down and taking hold are the same kind of event. The second note is PENDING rather than played: at an undocking the pilot is mid-burn, and stopping the world for an eighth of a second to fit a note in would be felt as the controls sticking. Where the game is stopping anyway, runPend simply pumps it out. Four channels for five sounds. The bang and the latch share one, because a lander arriving either arrives or does not, and a crash ends the run. That leaves the thruster its two, which it needs: a held note struck on the same channel as the ignition bang would cut the bang off at the moment it was meant to be heard. ---- A held note outlives the loop that was holding it ---- Landing while the thruster was still down ended the flying and then waited to be told the message had been read, so the frame that would have noticed the button coming up never ran. The engine roared under the verdict and went on roaring until the machine stopped. Anything that stops to wait hushes it now, and forgets last frame with it, so a thruster still held when the waiting ends counts as lighting again. ---- Three checks that had to be rebuilt around the new noise ---- A landing is not silent any more, so the crash is measured against the second BEFORE it rather than against a quiet landing. The dust samples moved eight frames later, because the latch plays first. And the warning check lost its measure twice: counting bursts could not tell a beep from a nag, and measuring total length stopped working the day the thruster got a rumble. It burns, stops, and listens AFTER - warned once there is nothing left, nagging the last beep is still fading. Nought against 5,679.
This commit is contained in:
Anachronaut
+188
-14
@@ -80,7 +80,7 @@ start:
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CALL putLander
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CALL putGauge
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CALL putOrbital
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CALL putBoom ; The instruments, once, the way the tiles are.
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CALL putThrust ; The instruments, once, the way the tiles are.
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CALL putAlarm
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INIA 0x01
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@@ -101,6 +101,7 @@ everyFrame:
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CALL readPad
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CALL readControls
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CALL zoomButton
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CALL thrustSound ; Which of the thrusters just lit, or just went out.
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CALL fall
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CALL move
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CALL moveStation
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@@ -115,6 +116,7 @@ everyFrame:
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CALL showFuel
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CALL showHeight
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CALL burstTick ; Whatever is in the air, one frame on.
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CALL pendTick ; And whatever note is waiting to follow another.
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SETD.0 Flying
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LDA.0
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BNA everyFrame
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@@ -1819,6 +1821,14 @@ touchdown:
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SUB
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BNC touchdownCrash
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INIA 0d36
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SETD.0 LatchFirst
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STA.0
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INIA 0d48
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SETD.0 LatchSecond
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STA.0
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CALL latch ; The same shape two octaves lower, which is the ground.
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CALL runPend
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CALL landingDust ; Something to see for an arrival, as a crash has always had.
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; ---- Down safely, which is not the end of anything ----
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@@ -2001,6 +2011,14 @@ dock:
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INIA 0x01
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SETD.0 Docked
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STA.0
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INIA 0d60
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SETD.0 LatchFirst
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STA.0
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INIA 0d72
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SETD.0 LatchSecond
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STA.0
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CALL latch ; Middle C then the C above it: taking hold.
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CALL runPend
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CALL payFuel
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SETD.0 DockedText
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CALL sayInWindow
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@@ -2081,7 +2099,14 @@ dockLetGo:
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STA.0
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SETD.0 DockClear
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STA.0 ; A is still nought: not clear until it has actually got away.
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CALL undockGas ; Started and left running: the pilot is mid-burn.
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INIA 0d72
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SETD.0 LatchFirst
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STA.0
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INIA 0d60
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SETD.0 LatchSecond
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STA.0
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CALL latch ; The C above middle then middle: letting go.
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CALL undockGas ; Both started and left running: the pilot is mid-burn.
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RET
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; ---- Half a pixel of the way there, or the whole of it if that is nearer ----
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@@ -2699,11 +2724,151 @@ hideSprite:
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; Effects take the top channel and work downwards, so music, if it ever arrives, can take
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; nought and count up and the two never have to negotiate. There are four, and this is the
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; first program to want any of them while also doing something else.
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putBoom:
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; ---- Channel three has two patches, and that is not a shortage ----
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;
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; The bang and the latch are the two OUTCOMES OF THE SAME EVENT: a lander arriving somewhere
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; either arrives or does not, and a crash ends the run outright. They can never sound at once,
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; so they share, and whichever is wanted loads itself at the moment. Fifty writes is nothing
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; against a thing that happens once.
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;
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; That leaves nought and one for the thruster, which needs two of its own: a bang at ignition
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; is a one-shot and the rumble under it is held, and a held note struck on the same channel
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; would cut the bang off at the very moment it was meant to be heard.
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boom:
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INIA 0x03
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OUTA 0x41 ; Channel three. Every parameter write below lands on it.
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OUTA 0x41
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SETD.0 BoomPatch
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CALL playPatch
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INIA 0d60 ; Middle C. The noise is not really pitched, but the filter is
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; tuned off the note and this is where it was found by ear.
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OUTA 0x44 ; Writing the note is what starts it.
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RET
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; ---- Two notes, quickly, which is what a latch sounds like ----
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;
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; Up for arriving and down for leaving, and two octaves lower for the ground - the same shape
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; said in a different register, because a lander setting down and a lander taking hold of a
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; station are the same kind of event.
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;
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; The second note is PENDING rather than played: at an undocking the pilot is mid-burn and
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; stopping the world for an eighth of a second to fit a note in would be felt as the controls
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; sticking. Where the game is stopping anyway - a landing, a docking - runPend below simply
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; pumps it until it has come out.
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latch:
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INIA 0x03
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OUTA 0x41
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SETD.0 LatchPatch
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CALL playPatch
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SETD.0 LatchFirst
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LDA.0
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OUTA 0x44
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SETD.0 LatchSecond
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LDA.0
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SETD.1 PendNote
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STA.1
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INIA 0d8
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SETD.1 PendIn
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STA.1 ; An eighth of a second, which is quick succession and not a chord.
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RET
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; Whatever note is waiting, one frame nearer. Nothing at all when none is.
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pendTick:
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SETD.0 PendIn
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LDA.0
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BRA pendTickDone
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DECA
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STA.0
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BNA pendTickDone
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INIA 0x03
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OUTA 0x41
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SETD.0 PendNote
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LDA.0
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OUTA 0x44
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pendTickDone:
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RET
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; For the two that can afford to wait, the same shape runBurst has.
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runPend:
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CALL waitFrame
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CALL pendTick
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SETD.0 PendIn
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LDA.0
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BNA runPend
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RET
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; ---- The thruster, which is a bang and then a rumble ----
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;
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; Both on their own channels because one is struck and the other is HELD: the rumble's note
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; goes on when a thruster lights and its gate does not come up until every thruster is out.
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putThrust:
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RSTA
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OUTA 0x41
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SETD.0 ThrustOnPatch
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CALL playPatch
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INIA 0x01
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OUTA 0x41
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SETD.0 ThrustHoldPatch
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CALL playPatch
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RET
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; ---- Lit or not, and only the CHANGES matter ----
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;
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; The same condition the flames are drawn on, for the same reason: a held button with a dry
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; tank is a pilot doing nothing. What is watched is the edge - a rumble restruck every frame
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; would never get past its own attack, and a bang struck every frame is a buzz.
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thrustSound:
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SETD.0 Fuel
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LDA.0
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BRA thrustOut
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SETD.0 Held
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LDA.0
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INIB 0x0F
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AND
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BRQ thrustOut
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INIA 0x01
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BRI thrustNow
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thrustOut:
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RSTA
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thrustNow:
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SETD.1 ThrustWas
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LDB.1
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STA.1 ; Now becomes what "last frame" means next time round.
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CCF
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SUB
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BRQ thrustDone ; The same as last frame, so nothing has lit or gone out.
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LDA.1
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BRA thrustStopped
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RSTA
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OUTA 0x41
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INIA 0d48
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OUTA 0x44 ; The bang of it catching.
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INIA 0x01
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OUTA 0x41
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INIA 0d36
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OUTA 0x44 ; And the rumble under it, which is held.
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RET
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thrustStopped:
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CALL hushThrust
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thrustDone:
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RET
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; ---- The rumble stopped, wherever the stopping is happening ----
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;
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; A HELD note outlives the loop that was holding it. Landing while the thruster is still down
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; ends the flying and then waits to be told the message has been read - and the frame that
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; would have noticed the button coming up never runs, so the engine roared under the verdict
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; and went on roaring. Anything that stops to wait calls this.
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;
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; Forgetting last frame with it, so that a thruster still held when the waiting ends counts as
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; lighting again rather than as never having stopped.
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hushThrust:
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INIA 0x01
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OUTA 0x41
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RSTA
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OUTA 0x45 ; The gate up is the only thing that ends a held note.
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SETD.0 ThrustWas
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STA.0
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RET
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; ---- A whole patch, out of a table ----
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@@ -2729,15 +2894,6 @@ playPatchOne:
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BNA playPatchOne
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RET
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; Two writes, which is what a note is meant to cost.
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boom:
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INIA 0x03
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OUTA 0x41
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INIA 0d60 ; Middle C. The noise is not really pitched, but the filter is
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; tuned off the note and this is where it was found by ear.
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OUTA 0x44 ; Writing the note is what starts it.
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RET
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; ---- A quarter of a tank, said once ----
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;
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; ONCE, and that is the whole design of it. A lander is at its most careful in the last few
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@@ -2789,6 +2945,8 @@ alarm:
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; read that". A or Start does it, and so does any key - asked for rather than waited on, so
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; one already pressed counts.
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waitKey:
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CALL hushThrust ; Nothing waits with an engine still running.
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waitKeyPoll:
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CALL readPad
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SETD.0 Held
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LDA.0
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@@ -2798,7 +2956,7 @@ waitKey:
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INA 0x01
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INIB 0x01 ; READY
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AND
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BRQ waitKey
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BRQ waitKeyPoll
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INA 0x00
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waitKeyDone:
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RET
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@@ -3674,6 +3832,18 @@ Fuel:
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0xFF
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GaugeColour:
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0x00
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; The two notes of a latch, and how long until the second of them.
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LatchFirst:
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0x00
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LatchSecond:
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0x00
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PendNote:
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0x00
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PendIn:
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0x00
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; Whether a thruster was lit last frame, since only the changes are worth a sound.
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ThrustWas:
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0x00
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; Whether the quarter tank warning has been given since the last time it was filled.
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AlarmSaid:
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0x00
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@@ -4159,3 +4329,7 @@ LanderArtAt:
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#Include boom.asm
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#Include alarm.asm
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#Include thrustOn.asm
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#Include thrustHold.asm
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#Include latch.asm
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File diff suppressed because one or more lines are too long
@@ -0,0 +1,54 @@
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||||
{
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||||
"osc0_waveform": 5,
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||||
"osc0_dutyCycle": 0.500000,
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||||
"osc0_detune": 0.000000,
|
||||
"osc0_gain": 4.000000,
|
||||
"osc0_active": 1,
|
||||
"osc0_octave": 2,
|
||||
"osc0_modRouting0": 0,
|
||||
"osc0_modRouting1": 2,
|
||||
"osc0_modRouting2": 0,
|
||||
"osc0_modDepth0": 0.000000,
|
||||
"osc0_modDepth1": 180.000000,
|
||||
"osc0_modDepth2": 4.000000,
|
||||
"osc1_waveform": 5,
|
||||
"osc1_dutyCycle": 0.545000,
|
||||
"osc1_detune": -15.000000,
|
||||
"osc1_gain": 4.000000,
|
||||
"osc1_active": 1,
|
||||
"osc1_octave": 1,
|
||||
"osc1_modRouting0": 0,
|
||||
"osc1_modRouting1": 2,
|
||||
"osc1_modRouting2": 0,
|
||||
"osc1_modDepth0": -0.750000,
|
||||
"osc1_modDepth1": 1104.000000,
|
||||
"osc1_modDepth2": 4.000000,
|
||||
"ampEnv_attack": 0.001000,
|
||||
"ampEnv_decay": 0.100000,
|
||||
"ampEnv_sustain": 0.000000,
|
||||
"ampEnv_release": 0.001000,
|
||||
"modEnv_attack": 0.001000,
|
||||
"modEnv_decay": 0.288601,
|
||||
"modEnv_sustain": 0.000000,
|
||||
"modEnv_release": 2.000000,
|
||||
"lfo0_rate": 8.796101,
|
||||
"lfo0_waveform": 0,
|
||||
"lfo0_active": 0,
|
||||
"lfo0_mode": 0,
|
||||
"lfo1_rate": 1.000000,
|
||||
"lfo1_waveform": 0,
|
||||
"lfo1_active": 0,
|
||||
"lfo1_mode": 0,
|
||||
"filter_cutoff": 389.089539,
|
||||
"filter_resonance": 0.164624,
|
||||
"filter_type": 0,
|
||||
"filter_active": 1,
|
||||
"filter_modRouting": 0,
|
||||
"filter_modDepth": 11600.000000,
|
||||
"filter_resModRouting": 0,
|
||||
"filter_resModDepth": 0.000000,
|
||||
"voice_levelSource": 2,
|
||||
"voice_gate": 1,
|
||||
"master_volume": 1.000000,
|
||||
"master_pitchBendRange": 2.000000
|
||||
}
|
||||
@@ -0,0 +1,54 @@
|
||||
{
|
||||
"osc0_waveform": 5,
|
||||
"osc0_dutyCycle": 0.500000,
|
||||
"osc0_detune": 0.000000,
|
||||
"osc0_gain": 4.000000,
|
||||
"osc0_active": 1,
|
||||
"osc0_octave": 0,
|
||||
"osc0_modRouting0": 0,
|
||||
"osc0_modRouting1": 0,
|
||||
"osc0_modRouting2": 0,
|
||||
"osc0_modDepth0": 0.000000,
|
||||
"osc0_modDepth1": 0.000000,
|
||||
"osc0_modDepth2": 0.000000,
|
||||
"osc1_waveform": 0,
|
||||
"osc1_dutyCycle": 0.500000,
|
||||
"osc1_detune": -29.360291,
|
||||
"osc1_gain": 2.868294,
|
||||
"osc1_active": 1,
|
||||
"osc1_octave": -1,
|
||||
"osc1_modRouting0": 0,
|
||||
"osc1_modRouting1": 3,
|
||||
"osc1_modRouting2": 0,
|
||||
"osc1_modDepth0": 0.000000,
|
||||
"osc1_modDepth1": 307.482422,
|
||||
"osc1_modDepth2": 0.000000,
|
||||
"ampEnv_attack": 0.076245,
|
||||
"ampEnv_decay": 0.182086,
|
||||
"ampEnv_sustain": 1.000000,
|
||||
"ampEnv_release": 0.001000,
|
||||
"modEnv_attack": 0.001000,
|
||||
"modEnv_decay": 0.213054,
|
||||
"modEnv_sustain": 0.000000,
|
||||
"modEnv_release": 0.001000,
|
||||
"lfo0_rate": 19.253021,
|
||||
"lfo0_waveform": 0,
|
||||
"lfo0_active": 1,
|
||||
"lfo0_mode": 1,
|
||||
"lfo1_rate": 1.000000,
|
||||
"lfo1_waveform": 0,
|
||||
"lfo1_active": 0,
|
||||
"lfo1_mode": 0,
|
||||
"filter_cutoff": 2081.465332,
|
||||
"filter_resonance": 0.000000,
|
||||
"filter_type": 0,
|
||||
"filter_active": 1,
|
||||
"filter_modRouting": 2,
|
||||
"filter_modDepth": -12846.765625,
|
||||
"filter_resModRouting": 0,
|
||||
"filter_resModDepth": 0.000000,
|
||||
"voice_levelSource": 1,
|
||||
"voice_gate": 0,
|
||||
"master_volume": 1.000000,
|
||||
"master_pitchBendRange": 2.000000
|
||||
}
|
||||
@@ -0,0 +1,54 @@
|
||||
{
|
||||
"osc0_waveform": 5,
|
||||
"osc0_dutyCycle": 0.500000,
|
||||
"osc0_detune": 0.000000,
|
||||
"osc0_gain": 4.000000,
|
||||
"osc0_active": 1,
|
||||
"osc0_octave": 2,
|
||||
"osc0_modRouting0": 0,
|
||||
"osc0_modRouting1": 2,
|
||||
"osc0_modRouting2": 0,
|
||||
"osc0_modDepth0": 0.000000,
|
||||
"osc0_modDepth1": 180.000000,
|
||||
"osc0_modDepth2": 4.000000,
|
||||
"osc1_waveform": 5,
|
||||
"osc1_dutyCycle": 0.545000,
|
||||
"osc1_detune": -15.000000,
|
||||
"osc1_gain": 4.000000,
|
||||
"osc1_active": 1,
|
||||
"osc1_octave": 1,
|
||||
"osc1_modRouting0": 0,
|
||||
"osc1_modRouting1": 2,
|
||||
"osc1_modRouting2": 0,
|
||||
"osc1_modDepth0": -0.750000,
|
||||
"osc1_modDepth1": 1104.000000,
|
||||
"osc1_modDepth2": 4.000000,
|
||||
"ampEnv_attack": 2.000000,
|
||||
"ampEnv_decay": 0.100000,
|
||||
"ampEnv_sustain": 0.000000,
|
||||
"ampEnv_release": 0.001000,
|
||||
"modEnv_attack": 0.001000,
|
||||
"modEnv_decay": 0.247558,
|
||||
"modEnv_sustain": 0.000000,
|
||||
"modEnv_release": 2.000000,
|
||||
"lfo0_rate": 8.796101,
|
||||
"lfo0_waveform": 0,
|
||||
"lfo0_active": 0,
|
||||
"lfo0_mode": 0,
|
||||
"lfo1_rate": 1.000000,
|
||||
"lfo1_waveform": 0,
|
||||
"lfo1_active": 0,
|
||||
"lfo1_mode": 0,
|
||||
"filter_cutoff": 1242.353027,
|
||||
"filter_resonance": 0.164624,
|
||||
"filter_type": 0,
|
||||
"filter_active": 1,
|
||||
"filter_modRouting": 0,
|
||||
"filter_modDepth": 11600.000000,
|
||||
"filter_resModRouting": 0,
|
||||
"filter_resModDepth": 0.000000,
|
||||
"voice_levelSource": 2,
|
||||
"voice_gate": 1,
|
||||
"master_volume": 1.000000,
|
||||
"master_pitchBendRange": 2.000000
|
||||
}
|
||||
@@ -0,0 +1,58 @@
|
||||
; LatchPatch, converted from Programs/Sounds/DockLatch.json by SoundPatch.
|
||||
; Designed in soundThing, where it can be heard. Do not edit the numbers
|
||||
; here: change the patch and convert it again.
|
||||
|
||||
#Data
|
||||
|
||||
LatchPatch:
|
||||
0d50 ; how many pairs follow
|
||||
0x00 0d5 ; oscillator 0, waveform
|
||||
0x01 0d255 ; gain
|
||||
0x02 0d128 ; duty
|
||||
0x03 0d128 ; detune, in cents
|
||||
0x04 0d130 ; octave
|
||||
0x05 0d1 ; on
|
||||
0x06 0d0 ; what moves its width
|
||||
0x07 0d128 ; and how far
|
||||
0x08 0d2 ; what moves its pitch
|
||||
0x09 0d147 ; and how far
|
||||
0x0A 0d0 ; what moves its gain
|
||||
0x0B 0d255 ; and how far
|
||||
0x10 0d5 ; oscillator 1, waveform
|
||||
0x11 0d255 ; gain
|
||||
0x12 0d140 ; duty
|
||||
0x13 0d126 ; detune, in cents
|
||||
0x14 0d129 ; octave
|
||||
0x15 0d1 ; on
|
||||
0x16 0d0 ; what moves its width
|
||||
0x17 0d0 ; and how far
|
||||
0x18 0d2 ; what moves its pitch
|
||||
0x19 0d246 ; and how far
|
||||
0x1A 0d0 ; what moves its gain
|
||||
0x1B 0d255 ; and how far
|
||||
0x20 0d4 ; amplitude envelope, attack
|
||||
0x21 0d40 ; decay
|
||||
0x22 0d0 ; sustain
|
||||
0x23 0d4 ; release
|
||||
0x30 0d4 ; modulation envelope, attack
|
||||
0x31 0d68 ; decay
|
||||
0x32 0d0 ; sustain
|
||||
0x33 0d180 ; release
|
||||
0x40 0d1 ; filter, on
|
||||
0x41 0d0 ; type: 0 low, 1 high, 2 band
|
||||
0x42 0d110 ; cutoff, in hertz
|
||||
0x43 0d42 ; resonance
|
||||
0x44 0d0 ; what moves the cutoff
|
||||
0x45 0d255 ; and how far, in hertz
|
||||
0x46 0d0 ; what moves the resonance
|
||||
0x47 0d128 ; and how far
|
||||
0x60 0d0 ; LFO 0, on
|
||||
0x61 0d0 ; waveform
|
||||
0x62 0d220 ; rate, in hertz
|
||||
0x63 0d0 ; 0 free, 1 starts with a voice
|
||||
0x70 0d0 ; LFO 1, on
|
||||
0x71 0d0 ; waveform
|
||||
0x72 0d127 ; rate, in hertz
|
||||
0x73 0d0 ; 0 free, 1 starts with a voice
|
||||
0x50 0d2 ; what shapes the level
|
||||
0x51 0d1 ; 0 gated, 1 triggered
|
||||
@@ -0,0 +1,58 @@
|
||||
; ThrustHoldPatch, converted from Programs/Sounds/ThrustHold.json by SoundPatch.
|
||||
; Designed in soundThing, where it can be heard. Do not edit the numbers
|
||||
; here: change the patch and convert it again.
|
||||
|
||||
#Data
|
||||
|
||||
ThrustHoldPatch:
|
||||
0d50 ; how many pairs follow
|
||||
0x00 0d5 ; oscillator 0, waveform
|
||||
0x01 0d255 ; gain
|
||||
0x02 0d128 ; duty
|
||||
0x03 0d128 ; detune, in cents
|
||||
0x04 0d128 ; octave
|
||||
0x05 0d1 ; on
|
||||
0x06 0d0 ; what moves its width
|
||||
0x07 0d128 ; and how far
|
||||
0x08 0d0 ; what moves its pitch
|
||||
0x09 0d128 ; and how far
|
||||
0x0A 0d0 ; what moves its gain
|
||||
0x0B 0d128 ; and how far
|
||||
0x10 0d0 ; oscillator 1, waveform
|
||||
0x11 0d183 ; gain
|
||||
0x12 0d128 ; duty
|
||||
0x13 0d125 ; detune, in cents
|
||||
0x14 0d127 ; octave
|
||||
0x15 0d1 ; on
|
||||
0x16 0d0 ; what moves its width
|
||||
0x17 0d128 ; and how far
|
||||
0x18 0d3 ; what moves its pitch
|
||||
0x19 0d161 ; and how far
|
||||
0x1A 0d0 ; what moves its gain
|
||||
0x1B 0d128 ; and how far
|
||||
0x20 0d35 ; amplitude envelope, attack
|
||||
0x21 0d54 ; decay
|
||||
0x22 0d255 ; sustain
|
||||
0x23 0d4 ; release
|
||||
0x30 0d4 ; modulation envelope, attack
|
||||
0x31 0d59 ; decay
|
||||
0x32 0d0 ; sustain
|
||||
0x33 0d4 ; release
|
||||
0x40 0d1 ; filter, on
|
||||
0x41 0d0 ; type: 0 low, 1 high, 2 band
|
||||
0x42 0d171 ; cutoff, in hertz
|
||||
0x43 0d0 ; resonance
|
||||
0x44 0d2 ; what moves the cutoff
|
||||
0x45 0d0 ; and how far, in hertz
|
||||
0x46 0d0 ; what moves the resonance
|
||||
0x47 0d128 ; and how far
|
||||
0x60 0d1 ; LFO 0, on
|
||||
0x61 0d0 ; waveform
|
||||
0x62 0d253 ; rate, in hertz
|
||||
0x63 0d1 ; 0 free, 1 starts with a voice
|
||||
0x70 0d0 ; LFO 1, on
|
||||
0x71 0d0 ; waveform
|
||||
0x72 0d127 ; rate, in hertz
|
||||
0x73 0d0 ; 0 free, 1 starts with a voice
|
||||
0x50 0d1 ; what shapes the level
|
||||
0x51 0d0 ; 0 gated, 1 triggered
|
||||
@@ -0,0 +1,58 @@
|
||||
; ThrustOnPatch, converted from Programs/Sounds/ThrustOn.json by SoundPatch.
|
||||
; Designed in soundThing, where it can be heard. Do not edit the numbers
|
||||
; here: change the patch and convert it again.
|
||||
|
||||
#Data
|
||||
|
||||
ThrustOnPatch:
|
||||
0d50 ; how many pairs follow
|
||||
0x00 0d5 ; oscillator 0, waveform
|
||||
0x01 0d255 ; gain
|
||||
0x02 0d128 ; duty
|
||||
0x03 0d128 ; detune, in cents
|
||||
0x04 0d130 ; octave
|
||||
0x05 0d1 ; on
|
||||
0x06 0d0 ; what moves its width
|
||||
0x07 0d128 ; and how far
|
||||
0x08 0d2 ; what moves its pitch
|
||||
0x09 0d147 ; and how far
|
||||
0x0A 0d0 ; what moves its gain
|
||||
0x0B 0d255 ; and how far
|
||||
0x10 0d5 ; oscillator 1, waveform
|
||||
0x11 0d255 ; gain
|
||||
0x12 0d140 ; duty
|
||||
0x13 0d126 ; detune, in cents
|
||||
0x14 0d129 ; octave
|
||||
0x15 0d1 ; on
|
||||
0x16 0d0 ; what moves its width
|
||||
0x17 0d0 ; and how far
|
||||
0x18 0d2 ; what moves its pitch
|
||||
0x19 0d246 ; and how far
|
||||
0x1A 0d0 ; what moves its gain
|
||||
0x1B 0d255 ; and how far
|
||||
0x20 0d180 ; amplitude envelope, attack
|
||||
0x21 0d40 ; decay
|
||||
0x22 0d0 ; sustain
|
||||
0x23 0d4 ; release
|
||||
0x30 0d4 ; modulation envelope, attack
|
||||
0x31 0d63 ; decay
|
||||
0x32 0d0 ; sustain
|
||||
0x33 0d180 ; release
|
||||
0x40 0d1 ; filter, on
|
||||
0x41 0d0 ; type: 0 low, 1 high, 2 band
|
||||
0x42 0d152 ; cutoff, in hertz
|
||||
0x43 0d42 ; resonance
|
||||
0x44 0d0 ; what moves the cutoff
|
||||
0x45 0d255 ; and how far, in hertz
|
||||
0x46 0d0 ; what moves the resonance
|
||||
0x47 0d128 ; and how far
|
||||
0x60 0d0 ; LFO 0, on
|
||||
0x61 0d0 ; waveform
|
||||
0x62 0d220 ; rate, in hertz
|
||||
0x63 0d0 ; 0 free, 1 starts with a voice
|
||||
0x70 0d0 ; LFO 1, on
|
||||
0x71 0d0 ; waveform
|
||||
0x72 0d127 ; rate, in hertz
|
||||
0x73 0d0 ; 0 free, 1 starts with a voice
|
||||
0x50 0d2 ; what shapes the level
|
||||
0x51 0d1 ; 0 gated, 1 triggered
|
||||
Reference in New Issue
Block a user