#!/usr/bin/env bash
# Checks what the sound device actually makes.
#
# THE SUITE HAS NO SPEAKER, and a sound nothing can hear is a sound nothing checks. So the
# device makes its samples against the machine's clock rather than the host's, and the machine
# can be asked to save them with --sound. Every check below runs a program for a fixed number
# of cycles, saves the samples and measures them - no audio hardware, no timing luck, and the
# same answer every time.
#
# This is the same argument as Tests/video.sh, and it has the same consequence: each check is
# a named claim about one behaviour rather than a comparison against a recorded waveform. A
# recorded waveform would say "it sounds different" and leave which of the oscillator, the
# envelope, the filter, the channel selector or the sample clock broke to be found by ear.
#
# Written by Anachronaut

set -u
ROOT="$(cd "$(dirname "$0")/.." && pwd)"
BUILD="$ROOT/Tests/build/sound"
ASM="$ROOT/Assembler"
EMU="$ROOT/SplitBit"

for tool in "$ASM" "$EMU"; do
    [ -x "$tool" ] || { echo "$(basename "$tool") is not built."; exit 1; }
done

rm -rf "$BUILD"; mkdir -p "$BUILD"

PASS=0
FAIL=0
FAILED_NAMES=()

GREEN=$'\033[32m'; RED=$'\033[31m'; RESET=$'\033[0m'
[ -t 1 ] || { GREEN=""; RED=""; RESET=""; }

result() {
    # result <ok|no> <name> <detail>
    if [ "$1" = "ok" ]; then
        PASS=$((PASS + 1)); printf "  [%sok  %s] %-40s %s\n" "$GREEN" "$RESET" "$2" "$3"
    else
        FAIL=$((FAIL + 1)); FAILED_NAMES+=("$2")
        printf "  [%sFAIL%s] %-40s %s\n" "$RED" "$RESET" "$2" "$3"
    fi
}

# ---- Writing to the device from a program ----

port() {
    # port <port> <byte>
    printf '  INIA 0x%02X\n  OUTA 0x%02X\n' $(( $2 & 0xFF )) $(( $1 & 0xFF ))
}

param() {
    # param <parameter> <value> - the selector and value pair, which is three writes.
    printf '  INIA 0x%02X\n  OUTA 0x42\n  INIA 0x%02X\n  OUTA 0x43\n' \
        $(( $1 & 0xFF )) $(( $2 & 0xFF ))
}

# The one write a sounding program cannot skip: an oscillator arrives silent.
loud() {
    param 0x01 0xFF
}

# About a tenth of a second each hundred, in cycles: the inner loop is a DECA and a BNA, which
# is four cycles, 256 times round. The tag is so that more than one can sit in a program.
pause() {
    # pause <tag> <hundredths>
    printf '  INIB 0d%d\npauseOuter%s:\n  RSTA\npauseInner%s:\n  DECA\n  BNA pauseInner%s\n  DECB\n  BNB pauseOuter%s\n' \
        "$2" "$1" "$1" "$1" "$1"
}

# Says whether anything is sounding, as a letter, because the status bit is not a character
# and a test reads the console.
sounding() {
    # sounding <tag>
    printf '  INA 0x40\n  INIB 0x01\n  AND\n  BRQ quiet%s\n  INIA 0d89\n  OUTA 0x00\n  BRI after%s\nquiet%s:\n  INIA 0d78\n  OUTA 0x00\nafter%s:\n' \
        "$1" "$1" "$1" "$1"
}

# Most programs here never finish on purpose: they set a sound going and then spin, and the
# cycle limit decides how long was recorded. That makes the sample count exact rather than
# dependent on how long the program took to get there.
spinForever() {
    printf 'spinEnd:\n  BRI spinEnd\n'
}

epilogue() {
    printf '  HALT\n#Vectors\n  Boot start\n'
}

# Assembles what is on standard input, runs it for a fixed number of cycles, and leaves the
# samples in $BUILD/<name>.raw.
run() {
    # run <name> <cycles>
    local name="$1"
    cat > "$BUILD/$name.asm"
    "$ASM" "$BUILD/$name.asm" -o "$BUILD/$name.bin" >"$BUILD/$name.log" 2>&1 || {
        echo "could not assemble $name"; sed 's/^/    /' "$BUILD/$name.log"; return 1; }
    timeout 20 "$EMU" --fast --cycles "$2" --sound "$BUILD/$name.raw" "$BUILD/$name.bin" \
        > "$BUILD/$name.out" 2>&1
    if [ $? -eq 124 ]; then
        echo "  $name did not finish within twenty seconds"; return 1
    fi
    return 0
}

# ---- Reading the samples back ----
#
# Raw signed 16 bit, little endian, which is what --sound writes.
measure() {
    # measure <name> <what> [from] [to]   - samples are given in samples, not seconds.
    python3 - "$BUILD/$1.raw" "$2" "${3:-0}" "${4:-0}" <<'PY'
import struct, sys
data = open(sys.argv[1], "rb").read()
count = len(data) // 2
values = struct.unpack("<%dh" % count, data)
what = sys.argv[2]
start = int(sys.argv[3])
stop = int(sys.argv[4]) or count
window = values[start:stop]

if what == "count":
    print(count)
elif what == "peak":
    print(max((abs(v) for v in window), default=0))
elif what == "pitch":
    # ---- Counted with hysteresis, not on the sign ----
    #
    # A waveform fading through nothing crosses zero many times on its way, and counting
    # every sign change would hear a decaying note as a very high one. So a crossing is only
    # counted after the signal has been convincingly on one side: above a tenth of the peak,
    # then below minus a tenth.
    peak = max((abs(v) for v in window), default=0)
    if peak == 0:
        print("0.0")
    else:
        gate = peak // 10
        crossings, side = 0, 0
        for v in window:
            if side <= 0 and v > gate:
                side = 1
                crossings += 1
            elif side >= 0 and v < -gate:
                side = -1
                crossings += 1
        print("%.1f" % (crossings / 2.0 / (len(window) / 48000.0)))
PY
}

# A number against another, within a percentage of it.
near() {
    # near <value> <wanted> <percent>
    python3 -c "import sys; a,b,p = (float(x) for x in sys.argv[1:4]); sys.exit(0 if b and abs(a-b) <= b*p/100.0 else 1)" \
        "$1" "$2" "$3"
}

said() {
    grep -q -- "$2" "$BUILD/$1.out"
}

echo "Checking what the sound device makes."
echo

# ---- Nothing, until something asks ----
#
# A machine that hummed on its own would make every check below meaningless, and the samples
# would still all be there to count.
{ printf '#Program\nstart:\n'; spinForever; printf '#Vectors\n  Boot start\n'; } \
    | run quiet 1000000 || exit 1
PEAK="$(measure quiet peak)"
[ "$PEAK" = "0" ] \
    && result ok "silent until something asks" "every sample is nothing" \
    || result no "silent until something asks" "peak was $PEAK"

# ---- The sample clock is the machine's clock ----
#
# Forty-eight thousand a second against a million cycles. This is the claim the whole file
# rests on: if samples came from the host, nothing below would be reproducible.
COUNT="$(measure quiet count)"
[ "$COUNT" = "48000" ] \
    && result ok "samples keep the machine's time" "1,000,000 cycles made exactly 48,000" \
    || result no "samples keep the machine's time" "1,000,000 cycles made $COUNT, wanted 48,000"

{ printf '#Program\nstart:\n'; spinForever; printf '#Vectors\n  Boot start\n'; } \
    | run quietLonger 3000000 || exit 1
COUNT="$(measure quietLonger count)"
[ "$COUNT" = "144000" ] \
    && result ok "and keeps it over a longer run" "3,000,000 cycles made exactly 144,000" \
    || result no "and keeps it over a longer run" "3,000,000 cycles made $COUNT, wanted 144,000"

# ---- A channel arrives able to make a sound ----
#
# Writing a note number and hearing that note is the shortest useful thing this device can be
# asked to do, and it works from a cold start. soundThing's own defaults do not do this - they
# are a patch editor's, where one voice is set up and the rest wait to be copied over - so the
# device sets its own power-on state and this is the check that it did.
{ printf '#Program\nstart:\n'; port 0x41 0x00; port 0x44 60; spinForever
  printf '#Vectors\n  Boot start\n'; } | run bareNote 1000000 || exit 1
PEAK="$(measure bareNote peak)"
[ "$PEAK" -gt 1000 ] \
    && result ok "a channel arrives ready to sound" "a note and nothing else made $PEAK" \
    || result no "a channel arrives ready to sound" "peak was only $PEAK"

# ---- And the second oscillator arrives off ----
#
# Which is not the same thing as silent, because the two are averaged rather than added: one
# that is switched on halves the other whatever its gain. So the plain case is one oscillator,
# and asking for two is a thing a program says out loud.
{ printf '#Program\nstart:\n'; port 0x41 0x00; loud
  param 0x15 0x01                     # oscillator 1, switched on
  param 0x11 0x00                     # and silent
  port 0x44 60; spinForever; printf '#Vectors\n  Boot start\n'; } | run twoOscs 1000000 || exit 1

{ printf '#Program\nstart:\n'; port 0x41 0x00; loud; port 0x44 60; spinForever
  printf '#Vectors\n  Boot start\n'; } | run middleC 1000000 || exit 1
BOTH="$(measure twoOscs peak)"
ONE="$(measure middleC peak)"
near "$BOTH" "$((ONE / 2))" 10 \
    && result ok "two oscillators share the level" "$ONE alone, $BOTH with a silent one beside it" \
    || result no "two oscillators share the level" "$ONE alone and $BOTH with a second, wanted about half"
PEAK="$(measure middleC peak)"
[ "$PEAK" -gt 1000 ] \
    && result ok "a note makes a sound" "peak $PEAK" \
    || result no "a note makes a sound" "peak was only $PEAK"

# ---- The note it was asked for ----
#
# 60 is middle C, 261.63 Hz. Two per cent is well inside a semitone, which is six.
PITCH="$(measure middleC pitch 24000)"
near "$PITCH" 261.63 2 \
    && result ok "and it is the note asked for" "$PITCH Hz, middle C is 261.63" \
    || result no "and it is the note asked for" "$PITCH Hz, wanted 261.63"

# ---- Twelve is an octave ----
#
# The pitch check above would pass on a device that played one fixed tone. This one would not.
{ printf '#Program\nstart:\n'; port 0x41 0x00; loud; port 0x44 72; spinForever
  printf '#Vectors\n  Boot start\n'; } | run octaveUp 1000000 || exit 1
OCTAVE="$(measure octaveUp pitch 24000)"
near "$OCTAVE" 523.25 2 \
    && result ok "twelve notes up is an octave" "$OCTAVE Hz, twice $PITCH" \
    || result no "twelve notes up is an octave" "$OCTAVE Hz, wanted 523.25"

# ---- The same program makes the same sound ----
#
# The point of a clock that is not the host's. Without this every check above is a check on
# how busy the machine running the suite happened to be.
{ printf '#Program\nstart:\n'; port 0x41 0x00; loud; port 0x44 60; spinForever
  printf '#Vectors\n  Boot start\n'; } | run middleCAgain 1000000 || exit 1
cmp -s "$BUILD/middleC.raw" "$BUILD/middleCAgain.raw" \
    && result ok "the same program makes the same sound" "two runs, byte for byte" \
    || result no "the same program makes the same sound" "the two runs differ"

# ---- Gain is a level and not a switch ----
{ printf '#Program\nstart:\n'; port 0x41 0x00; param 0x01 0x40; port 0x44 60; spinForever
  printf '#Vectors\n  Boot start\n'; } | run quarterGain 1000000 || exit 1
FULL="$(measure middleC peak)"
QUARTER="$(measure quarterGain peak)"
near "$QUARTER" "$((FULL / 4))" 20 \
    && result ok "gain sets the level" "a quarter of $FULL is $QUARTER" \
    || result no "gain sets the level" "a quarter of $FULL came out $QUARTER"

# ---- And the device's own volume is over the top of it ----
{ printf '#Program\nstart:\n'; port 0x41 0x00; loud; port 0x46 0x00; port 0x44 60
  spinForever; printf '#Vectors\n  Boot start\n'; } | run noVolume 1000000 || exit 1
PEAK="$(measure noVolume peak)"
[ "$PEAK" = "0" ] \
    && result ok "volume nothing is silence" "a full note at volume nothing makes nothing" \
    || result no "volume nothing is silence" "peak was $PEAK"

# ---- A channel is its own voice ----
#
# Turn channel 0's gain down, then play on channel 1. Channel 1 should still be at the gain it
# arrived with, and anything else would mean the settings are the device's rather than the
# channel's - the difference between four voices and one that four things fight over.
#
# This is deliberately a comparison of LEVELS and not a check that channel 1 is silent. It was
# the latter once, and it passed for a year's worth of the wrong reason: channel 1 could not
# make a sound at all, so a device with one shared set of settings would have passed it too.
{ printf '#Program\nstart:\n'; port 0x41 0x00; param 0x01 0x40; port 0x41 0x01; port 0x44 60
  spinForever; printf '#Vectors\n  Boot start\n'; } | run otherChannel 1000000 || exit 1
QUIETED="$(measure quarterGain peak)"
OTHER="$(measure otherChannel peak)"
near "$OTHER" "$FULL" 5 \
    && result ok "a channel keeps its own settings" "channel 0 turned down to $QUIETED, channel 1 still $OTHER" \
    || result no "a channel keeps its own settings" "channel 1 came out $OTHER, channel 0's own gain gives $QUIETED"

# ---- All four of them are there ----
{ printf '#Program\nstart:\n'; port 0x41 0x03; port 0x44 60; spinForever
  printf '#Vectors\n  Boot start\n'; } | run lastChannel 1000000 || exit 1
PEAK="$(measure lastChannel peak)"
[ "$PEAK" -gt 1000 ] \
    && result ok "the fourth channel is a channel" "peak $PEAK" \
    || result no "the fourth channel is a channel" "peak was only $PEAK"

# ---- Asking for a channel that is not there ----
#
# It wraps rather than faulting or writing past the end of the voices. A sound device is a
# poor place to stop the machine, and a poor place to corrupt memory.
{ printf '#Program\nstart:\n'; port 0x41 6
  printf '  INA 0x41\n  INIB 0d48\n  CCF\n  ADD\n  OUTQ 0x00\n'
  epilogue; } | run wrapChannel 200000 || exit 1
said wrapChannel "2" \
    && result ok "a channel number wraps" "6 selected channel 2" \
    || result no "a channel number wraps" "$(cat "$BUILD/wrapChannel.out")"

# ---- The registers read back ----
#
# So a handler can save the selection and put it back, which it has to, since an interrupt in
# the middle of a patch load would otherwise land the rest of the patch on another channel.
{ printf '#Program\nstart:\n'; port 0x42 0x2A
  printf '  INA 0x42\n  OUTA 0x00\n'; epilogue; } | run readBack 200000 || exit 1
said readBack '\*' \
    && result ok "the selectors read back" "0x2A came back as itself" \
    || result no "the selectors read back" "$(od -c "$BUILD/readBack.out" | head -1)"

# ---- Status: nothing is sounding until something is ----
{ printf '#Program\nstart:\n'; sounding Before
  port 0x41 0x00; loud; port 0x44 60; sounding After; epilogue; } \
    | run statusBit 500000 || exit 1
said statusBit "NY" \
    && result ok "status says what is sounding" "nothing before the note, something after" \
    || result no "status says what is sounding" "said $(cat "$BUILD/statusBit.out")"

# ---- Not even a sustain of nothing ends a note ----
#
# THE TRAP, and it caught the person writing this device before it caught anybody else. A
# sustain of nothing is silent, and silence looks exactly like a finished note, so the obvious
# way to play a note and wait for it is to give it no sustain and watch the status bit. It
# never comes down: the voice is holding at nothing, which is a thing a held key does.
#
# There is one rule and this is the check that there are not two. A NOTE SOUNDS UNTIL IT IS
# GATED OFF. What the envelope is doing does not enter into it.
{ printf '#Program\nstart:\n'; port 0x41 0x00
  param 0x20 0x00                     # attack: none
  param 0x21 40                       # decay: short
  param 0x22 0x00                     # sustain: nothing at all
  port 0x44 60
  printf 'waitOut:\n  INA 0x40\n  INIB 0x01\n  AND\n  BNQ waitOut\n'
  printf '  INIA 0d90\n  OUTA 0x00\n'  # 'Z', reached only if the bit came down
  epilogue; } | run silentSustain 3000000 || exit 1
said silentSustain "Z" \
    && result no "silence is not the end of a note" "the bit came down without a gate off" \
    || result ok "silence is not the end of a note" "silent for three million cycles and still sounding"

# And the sound really did go quiet, so the check above is about the status bit rather than
# about an envelope that never decayed.
PEAK="$(measure silentSustain peak 24000)"
[ "$PEAK" -lt 100 ] \
    && result ok "even though there is nothing to hear" "faded to $PEAK while still sounding" \
    || result no "even though there is nothing to hear" "still $PEAK, it never decayed"

# ---- A note that is held is not one ----
#
# The trap the manual warns about: a note with sustain sounds until the gate is dropped, so a
# program that waits for it waits for ever. Here the wait is bounded by the cycle limit, and
# the marker not being printed is the whole point.
{ printf '#Program\nstart:\n'; port 0x41 0x00; loud
  param 0x22 0xFF                     # sustain: all of it
  port 0x44 60
  printf 'held:\n  INA 0x40\n  INIB 0x01\n  AND\n  BNQ held\n'
  printf '  INIA 0d90\n  OUTA 0x00\n'
  epilogue; } | run heldNote 3000000 || exit 1
said heldNote "Z" \
    && result no "a held note keeps sounding" "the status bit came down on its own" \
    || result ok "a held note keeps sounding" "still sounding after three million cycles"

# ---- And dropping the gate is what ends it ----
{ printf '#Program\nstart:\n'; port 0x41 0x00; loud
  param 0x22 0xFF                     # sustain: all of it
  param 0x23 20                     # release: short
  port 0x44 60
  pause A 100
  port 0x45 0x00                      # let go
  printf 'released:\n  INA 0x40\n  INIB 0x01\n  AND\n  BNQ released\n'
  printf '  INIA 0d90\n  OUTA 0x00\n'
  epilogue; } | run gateOff 3000000 || exit 1
said gateOff "Z" \
    && result ok "dropping the gate ends it" "the note released and the bit came down" \
    || result no "dropping the gate ends it" "it was still sounding at the cycle limit"

# ---- The level can be shaped by nothing at all ----
#
# soundThing welded the first envelope to the output, so an envelope spent on a filter sweep
# still had to be shaped like something worth hearing. Setting 0x50 to nothing is what unwelds
# it. The check is that an amplitude envelope which decays to silence immediately does NOT
# silence a channel whose level nothing shapes.
{ printf '#Program\nstart:\n'; port 0x41 0x00; loud
  param 0x20 0x00                     # attack: none
  param 0x21 20                     # decay: very short
  param 0x22 0x00                     # sustain: nothing, so the envelope is at zero
  param 0x50 0x00                     # and nothing shapes the level
  port 0x44 60
  spinForever; printf '#Vectors\n  Boot start\n'; } | run levelSource 1000000 || exit 1
LATE="$(measure levelSource peak 36000)"
[ "$LATE" -gt 1000 ] \
    && result ok "the level can be shaped by nothing" "still $LATE long after the envelope let go" \
    || result no "the level can be shaped by nothing" "peak $LATE, the envelope silenced it anyway"

# And the same patch with the envelope back on the level is silent by then, which is what
# makes the check above about the setting rather than about the envelope not working.
{ printf '#Program\nstart:\n'; port 0x41 0x00; loud
  param 0x20 0x00; param 0x21 20; param 0x22 0x00
  param 0x50 1                      # the amplitude envelope, which is the normal case
  port 0x44 60
  spinForever; printf '#Vectors\n  Boot start\n'; } | run levelEnvelope 1000000 || exit 1
LATE="$(measure levelEnvelope peak 36000)"
[ "$LATE" -lt 100 ] \
    && result ok "and by the envelope, which is the normal case" "faded to $LATE" \
    || result no "and by the envelope, which is the normal case" "still $LATE, it never faded" 

# ---- A triggered voice ends itself ----
#
# Gated is what a keyboard wants: the sound lasts as long as something holds it, and dropping
# the gate is what starts the release. A GAME is nearly all one-shots - a bang, a pickup, a
# door - and not one of them wants its length decided by how long a note was held.
#
# Neither program below ever drops the gate. The gated one is still sounding at the end of it,
# because a sustain above nothing is a voice waiting for a key that is never coming; the
# triggered one runs its decay to nothing and finishes.
for gate in 0 1; do
    { printf '#Program\nstart:\n'; port 0x41 0x00; loud
      param 0x51 $gate            # gated or triggered
      param 0x20 0x00             # attack: instant
      param 0x21 60             # decay: short
      param 0x22 128            # sustain: half, which a gated voice will hold at
      port 0x44 60; spinForever
      printf '#Vectors\n  Boot start\n'; } | run gate$gate 3000000 || exit 1
done
HELD="$(measure gate0 peak 96000)"
STRUCK="$(measure gate1 peak 96000)"
[ "$HELD" -gt 1000 ] \
    && result ok "a gated voice waits to be let go of" "still $HELD with nothing holding it" \
    || result no "a gated voice waits to be let go of" "faded to $HELD on its own"
[ "$STRUCK" -lt 100 ] \
    && result ok "and a triggered one ends itself" "down to $STRUCK, with no gate ever dropped" \
    || result no "and a triggered one ends itself" "still $STRUCK, so it is waiting for a key"

# ---- And it is the same one-shot twice ----
#
# The point of the whole thing. A triggered voice re-arms its oscillators, so a hit begins in
# the same place every time; a free LFO does not, and reading it at a different moment makes
# the same drum a different drum. Both halves are needed, which is why this asks for the LFO
# to restart as well.
#
# Two hits, compared SAMPLE FOR SAMPLE. Noise is the hard case and the reason the generator is
# seeded: with rand() this could not have been asked at all.
#
# THE GAP HAS TO OUTLAST THE DECAY. The first version struck the second note while the first
# was still ringing, so what it found and compared as "the second hit" was a point in the
# middle of the first one's tail. A short decay and a quarter second between them, and the two
# are found by looking for sound after silence rather than for sound after an offset.
{ printf '#Program\nstart:\n'; port 0x41 0x00; loud
  param 0x00 5              # noise
  param 0x51 0x01             # triggered
  param 0x20 0x00; param 0x21 40; param 0x22 0x00
  param 0x60 0x01             # LFO 0 on,
  param 0x62 40             # a slow rate,
  param 0x63 0x01             # and it starts over with each voice
  param 0x44 0x03             # which opens the filter
  param 0x40 0x01; param 0x42 60; param 0x45 200
  port 0x44 60; pause one 250
  port 0x44 60; spinForever
  printf '#Vectors\n  Boot start\n'; } | run twice 4000000 || exit 1
SAME="$(python3 - "$BUILD/twice.raw" <<'PY'
import struct, sys
data = open(sys.argv[1], "rb").read()
v = struct.unpack("<%dh" % (len(data) // 2), data)
# Find the two hits by where sound starts, then compare the same span of each.
def onsets(v, floor=200, quiet=2000):
    # Sound after silence. A run of quiet samples has to separate two hits, or what is found
    # is one hit and a place in the middle of its own tail.
    at, run, sounding = [], 0, False
    for i, x in enumerate(v):
        if abs(x) > floor:
            if not sounding:
                at.append(i)
                sounding = True
            run = 0
        elif sounding:
            run += 1
            if run >= quiet:
                sounding = False
    return at
hits = onsets(v)
if len(hits) < 2:
    print("onehit" if hits else "silent"); raise SystemExit
first, second = hits[0], hits[1]
span = min(3000, len(v) - second)
a = v[first:first + span]
b = v[second:second + span]
print("same" if a == b else "differ")
PY
)"
[ "$SAME" = "same" ] \
    && result ok "and two hits are the same hit" "sample for sample, noise and all" \
    || result no "and two hits are the same hit" "$SAME"

# ---- An LFO belongs to its CHANNEL, and a patch carries LFO settings ----
#
# This used to be the other way round, and it was a trap with teeth: four voices shared two
# LFOs, so a patch loaded onto channel ONE re-tuned what channel NOUGHT heard. The symptom was
# the worst kind - a sound that is right until some unrelated thing plays, and right again
# next time the machine starts. In the game it was a warning whose trill vanished after the
# first landing of a run, because the landing's patch carries an LFO switched off.
#
# Three notes on channel nought, all identical in what THEY were told, and the third leg is
# what keeps this check honest. Between the first and second, a patch is dropped on channel
# ONE that switches the LFO off - which must now do nothing here. Between the second and third
# the same thing is written to channel NOUGHT itself - which must still work, or the two
# checks above would pass just as well on a device where writing an LFO does nothing at all.
{ printf '#Program\nstart:\n'; port 0x41 0x00; loud
  param 0x00 1                # triangle, so the LFO's work on the pitch is plain
  param 0x51 1                # triggered, so each note ends itself
  param 0x20 0x00; param 0x21 40; param 0x22 0x00
  param 0x08 3                # pitch follows LFO 0
  param 0x09 200              # and a long way
  param 0x60 0x01; param 0x61 2; param 0x62 40; param 0x63 0x01
  port 0x44 60; pause one 250

  port 0x41 0x01              # somebody else's instrument, which says the LFO is off
  param 0x60 0x00
  port 0x41 0x00
  port 0x44 60; pause two 250

  port 0x41 0x00              # and now its OWN LFO switched off, which must be heard
  param 0x60 0x00
  port 0x44 60; spinForever
  printf '#Vectors\n  Boot start\n'; } | run lfoshared 8000000 || exit 1
read -r FIRST SECOND THIRD <<EOT
$(python3 - "$BUILD/lfoshared.raw" <<'PY'
import struct, sys
data = open(sys.argv[1], "rb").read()
v = struct.unpack("<%dh" % (len(data) // 2), data)
# Three notes, found as sound after silence.
at, sounding, quiet = [], False, 0
for i, x in enumerate(v):
    if abs(x) > 300:
        if not sounding:
            at.append(i); sounding = True
        quiet = 0
    elif sounding:
        quiet += 1
        if quiet > 3000: sounding = False
if len(at) < 3:
    print("0 0 0"); raise SystemExit
# ---- The PITCH of each, not how far it travels inside one ----
#
# The LFO here is slower than the note is long, so within one note it barely moves - what it
# does is hold the pitch somewhere other than where the note asked for. Which is the honest
# thing to measure anyway: a retriggered LFO starts at the same phase every time, so two notes
# that agree had the same LFO and one that disagrees did not.
def hz(start):
    w = v[start:start + 3000]
    peak = max((abs(x) for x in w), default=0)
    if not peak: return 0
    gate, cross, side = peak // 10, 0, 0
    for x in w:
        if side <= 0 and x > gate: side, cross = 1, cross + 1
        elif side >= 0 and x < -gate: side, cross = -1, cross + 1
    return cross * 48000 // (2 * len(w))
print(hz(at[0]), hz(at[1]), hz(at[2]))
PY
)
EOT
# The note asks for middle C, about 262. With the LFO on it is bent well away from that.
[ "$FIRST" -gt 0 ] && [ "$SECOND" -gt 0 ] && [ "$THIRD" -gt 0 ] \
    && result ok "an LFO bends the pitch it is routed to" "$FIRST hertz against the 262 asked for" \
    || result no "an LFO bends the pitch it is routed to" "$FIRST $SECOND $THIRD"
# Switched off by a patch meant for ANOTHER CHANNEL, and nothing here changes. This is the
# whole point: the two used to share, and a sound could not protect itself from its neighbour.
[ "$FIRST" = "$SECOND" ] \
    && result ok "another channel's patch leaves it alone" "$FIRST hertz before and after" \
    || result no "another channel's patch leaves it alone" "$FIRST became $SECOND, so they are shared"
# Switched off on its OWN channel, and the note comes back unbent - so the check above is
# measuring an LFO that really is reachable, rather than one nothing can write to.
[ "$(( THIRD - FIRST ))" -gt 40 ] \
    && result ok "and its own channel's patch does take it away" "$FIRST became $THIRD, which is the note itself" \
    || result no "and its own channel's patch does take it away" "$FIRST then $THIRD"

echo
if [ "$FAIL" -eq 0 ]; then
    echo "All $PASS sound checks passed."
    exit 0
fi
echo "$PASS passed, $FAIL failed: ${FAILED_NAMES[*]}"
exit 1