Noise through a low pass that the modulation envelope shuts as the level
falls, so the bright part is only at the front of it: a boom rather than
a hiss. Noise because every other waveform here has a pitch, and a
pitched bang is a note.
The instrument is built at startup the way the tiles are, and a crash
only says "this channel, this note". That is what the selector and value
registers are for - a patch is twenty odd writes and a note is two - and
it is the shape every sound after this one should take.
CHANNEL THREE. There are four, and effects count down from the top so
that music, if it ever arrives, can take nought and count up and the two
never have to negotiate. This is also the first program to drive the
sound device while also doing something else; the only other customer is
the patch editor, whose whole job is the device.
---- A byte of envelope is not seconds ----
It is squared and scaled to four of them, so the decay first written here
was 200 - which is two and a half seconds. Over the eight tenths of a
second the pieces are in the air that is not a bang fading, it is the
FRONT THIRD of one, and it both sounded and measured as a flat wash of
noise. Ninety is about half a second and it fades to silence with time to
spare.
Two checks, each seen to fail on its own break. The first is against
SILENCE - a landing in the same conditions makes no sound at all, so it
is measuring the crash and not the machine humming - and the second is
that it is louder in its first half than its second, which is the
difference the decay was getting wrong.
Anachronaut
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