V4. Mode 2 is 320 by 200 with a byte a pixel: no tile to look up and no attribute to add,
the byte IS the palette index. Programs/Examples/picture.asm fills a whole one in 127 bytes
of program and 47,498 cycles.
IT IS THE SAME MEMORY AS THE TILES AND THE MAP, which is what shared video memory has always
been, and there is nowhere else it could be - 64,000 bytes of picture in a 65,536 byte bank
leaves room for nothing beside it. Going to bitmap mode does not clear the text screen, it
stops calling it one, and coming back finds the tiles holding whatever the picture put there.
Taking the screen means taking it.
The palette moves to 0xFC00, the top of video memory, because it is the one thing that has to
mean the same in every mode and 64,000 bytes of picture leaves nowhere in the middle for it
to hide. That is a documented address, so the example, the tests and the manual move with it.
A BITMAP HAS NO COLUMNS AND NO ROWS, and both registers read zero rather than a leftover from
the last mode. The console asks: told there is no character screen, it has nowhere to put a
glyph and draws nothing, while still saying everything down the serial line. The honest
alternative is what a machine with shared video memory really does, which is scribble marks
nobody can read across somebody's picture - honest and useless, since a program that has
taken the screen has not stopped wanting to print.
Six checks in Tests/video.sh, to 55: that the mode is 320 by 200, that a byte is one pixel's
colour and only that pixel, that printing leaves a picture alone while the letter still goes
out, and that the columns register says nought and then forty again.
The example is worth reading for one thing beyond the mode: Fill leaves its destination past
what it touched, so two hundred rows are drawn from one address set once. Working out where
row n begins would be n times 320, and this machine has no multiply.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01E2JrLzFvuFX9fgi1LDRjrW
THE CURSOR DID NOT BLINK, and the reason is worth stating: it blinks on the machine's clock,
and the machine's clock had stopped. A console waiting on a key stops the CPU, so no cycles
passed, so the phase never moved - and the one moment somebody is looking at a cursor is the
moment they are being asked to type.
Waiting is now charged as IDLE CYCLES, which is what they were built for: a machine stopped
on a device is not using memory, the same distinction WAIT makes, arrived at from the other
direction. And the devices are told as it happens rather than when the instruction finally
finishes, because a display controller does not stop blinking because the processor is
waiting on a keyboard, any more than a disk stops turning.
A keyboard file can now say NOTHING happened. A zero is a byte no keyboard sends, so it is
free to mean "a moment went by with nobody typing" - which is the commonest thing behind a
window and the only thing a file otherwise could not express. That unlocked the whole waiting
path: three checks that the cursor is lit, then dark half a second later, then lit again,
which is what blinking is.
And Programs/Examples/colours.asm, because the palette had nowhere a newcomer could read it.
It prints the sixteen pairs, prints each one again turned inside out, and then CHANGES ONE by
writing three bytes into the palette - so the difference between using the colours a machine
wakes up with and choosing your own is visible in one program. Its header explains what a
cell is, what the attribute nibble does, why palette entries are four bytes rather than
three, and why video memory has to be reached through the controller.
The manual now says where the palette lives and points at it.
SplitLint found a redundant RSTA in the example, which was worth acting on rather than
suppressing: the zero was already in A from the mode write two lines up, and saying so in a
comment teaches that SETD does not touch A, which is a thing worth knowing.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01E2JrLzFvuFX9fgi1LDRjrW
AnachronautandClaude Opus 5